Genre: Ambient, Electronic
Label: Karaoke Kalk
A new offering from Italian artist Emanuele Errante sees him continuing his characteristic approach to musical texture – the pairing of electronics and acoustic instruments to achieve a consolidated whole. As simple on the surface this is, often the discrepancy in timbre, or perhaps the clashing connotations the instruments conjure up can make for an awkward or irritating listening experience. Fortunately for Errante, his release history displays ause of this technique that has shaped a largely successful outing this time around.
Errante’s music, first introduced to me through Apegenine‘s Migrations (2007), and then Somnia‘s Humus (2008), stands to be in its own sub-category of minimal ambient and experimental modern classical compositions. Lo-fi noises, scratching on the strings of a gently weeping guitar, clicking field recordings, and cascading ambient atmospheres, penetrate through the walls and carpet, raising dust and killing mites (perhaps I should lower the volume a bit). Whether consumed as a sonic installation or an abstract piece of sound art, Time Elapsing Handheld captures the moment with its seven titles, creating a path which is “Leaving The Nowhere”through the “Memoirs”, a bit “Counterclockwise”, sometimes “Later, Earlier”, and always “Inner”.
Lush soundscapes loop and breathe through organic piano tones, guitar strums, and harp plucks, drowning in a generous sweep of synthetic strings, sampled noise, and dripping effects. Centered around the theme of passing time (as the album’s title suggests), the music hypnotizes the listener, bringing him a little closer into the notion of now, and then subsides, letting him simply float among the sounds of rewinding moments. Be still… and feel that… that’s right…
The digital version of this release contains two more tracks, “Egostatsy” and“Hidden Sun”. Oh, and in case this review was not sufficient in piquing your interest, it is worth mentioning that Simon Scott appears on the album, collaborating with Errante on a track, “Made To Give”. Highly recommended for fans of Marsen Jules, Deaf Center, Rudi Arapahoe, and Rafael Anton Irisarri.
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