Genre: Experimental, Ambient, Drone
The project of Montreal-based violinist Emilie Livernois-Desroches and experimental guitarist Eric Quach, Mains De Givre is the first signing of the label set up by Canadian magazine Textura. Both already respected musicians in their own right, Quach for his ambient work as thisquietarmy and with instrumental rock band Destroyalldreamers amongst others, classically trained violinist Livernois-Desroches for projects spanning a wide range of genres, from metal to folk, the pair met over seven years ago while playing in two different bands, but only began working together a year ago. The result, Esther Marie, is a stunning collection of deeply atmospheric and dark experimental compositions.
Built from early jam sessions, and assembled into four striking pieces, each with its individual tone, Esther Marie progresses especially slowly, as guitar and violin layers, processed into exquisite textures, become entangled and appear weighed down by their own gravity. There is a natural flow running through the whole album, especially as there is no clear demarcation between the first two tracks, as the vast clouds of distortions generated by Quach freely stretch from Un Chœur D’Ames En Detresse into Le Cercle Des Mœurs, and while the last two tracks are more distinct, they are carved from similarly dense soundscapes, as to permanently enforce the quietly abrasive and sombre nature of the record.